Thelma Ritter, a great excellent actress who brought much pleasure to the screen. Its a shame that she was never given an Oscar for all her performances (honorary)after her death.She'd earned six Academy Award nominations as best supporting actress: "All About Eve" (1950), "The Mating Season" (1951), "With a Song in My Heart" (1952), "Pickup on South Street" (1953), "Pillow Talk" (1959), and "The Birdman of Alcatraz" (1962).... In "All About Eve" (1950), she was Birdie, Margo Channing's maid and companion and who utters the immortal line, "What a story Everything but the bloodhounds yapping at her rear end."

In "Rear Window" (1954), she was Jimmy Stewart's housekeeper, in "Pillow Talk" (1959), her drunk stole scenes from Doris Day, and in "A Hole in the Head" (1959), she was Frank Sinatra's understanding sister-in-law. In "How the West Was Won" (1962), Ritter was a spinster traveling to the west with Debbie Reynolds, and in "A New Kind of Love" (1963), a fashion designer alongside Joanne Woodward -- a job one might never imagine Ritter doing in real life.
In film after film, her presence was the highlight of the picture, and although she was more than 40 before she stepped before a camera, Ritter eventually worked with virtually every major director of her period (Hitchcock, Mankiewicz, etc.) and every major star (Edward G.Robinson, Barbara Stanwyck, Bette Davis, Marilyn Monroe, Clark Gable, Montgomery Clift, etc.) stealing scenes from most of them











(1950, Warner Bros., 103 min.) This fantastic film noir fable, a thinly-veiled version of the life story of gangsters’ moll Virginia Hill, is perhaps an even truer depiction of the real Joan Crawford than Mommie Dearest. Right up there with Mildred Pierce as one of Crawford’s finest Warner Bros. melodramas. Dir. Vincent Sherman. Scr. Harold Medford & Jerome Weidman, story by Gertrude Walker. With Steve Cochran, Kent Smith, and veteran Joan-foil David Brian. 35mm print courtesy of Warner Classics.
(1947, Warner Bros., 108 min.) Joan Crawford plays a nurse driven mad when the man she loves (Van Heflin) spurns her advances. This tour de force for Joan, stylishly directed by Curtis Bernhardt, earned her yet another Oscar nomination. With Raymond Massey, Geraldine Brooks, and a terrific Franz Waxman score. Scr. Silvia Richards and Ranald MacDougall, story by Rita Weiman. 35mm print courtesy of Warner Classics.







Where The Boys Are



October 2005 I wrote about living famous "Death or alive -famous people who turn 85 or more this year"
a little more than a year later, so many of the people mentioned above have passed away.Thankskentdoa from Death or alive website for a reminder